The connection between Natasha Kingsley and Irene, sparked by Natasha’s message of thanks
The Sun is Also a StarNatasha Kingsley and Irene are connected by a thank-you message whose effects far exceed what either woman understands when it is sent. For Irene, the message arrives on the day she has planned to die and becomes the first indication that someone has seen her. For Natasha, it is an act of gratitude whose importance remains unknown until the two meet again ten years later, on a plane. Their relationship joins a moment of near-invisible kindness to a life-altering change, then returns to that moment in person, when Irene can finally tell Natasha what her message did.
The Message and Irene’s Crisis
At the time Natasha’s message reaches her, Irene is working as a security guard at the United States Citizenship and Immigration Services building in New York City. A case officer, Lester Barnes, stops at her station to pass on the news: a girl has left a voicemail for Irene to say thank you. Irene does not know what the girl is thanking her for. The message comes without an explanation of its occasion, but its timing is decisive. Irene has written a suicide note during lunch and has already worked out a route to the roof of her apartment building. The thank-you arrives before she can carry out her plan.
The message does not suddenly resolve Irene’s loneliness or heal her. Instead, the fact that someone has noticed her shifts something enough for her to make a call to a suicide-prevention hotline. That call leads to therapy, and therapy leads to medication that continues to save her life. The connection begins, then, not with a conversation between the women but with Natasha’s effort to reach Irene indirectly—and with Irene’s decision to accept help at a moment when the message gives her a reason to pause.
Natasha’s own circumstances make the contact part of a wider struggle over whether she can remain in the country she considers home. She has lived in the United States since she was eight, but her family’s undocumented status puts her future there at risk. As she faces deportation, she worries about leaving her friends, missing prom and graduation, and losing the chance to attend college. Her mother has spent years saving for a stolen Social Security number that might allow Natasha to apply for financial aid. At the Fitzgerald law office, Natasha is asked to complete paperwork about her history in the United States; when she struggles to know what to write, she is told to explain what America means to her, why she wants to stay, and how she might contribute. The instruction is to make her legible and human to the legal process. Against that background, the thank-you message is another act of attention: an effort to address someone else as a person, even though Natasha cannot know the scale of Irene’s crisis.
The Lives Between Contact and Reunion
Irene remembers the message for ten years. On the night it arrives, she listens again to a Nirvana album and hears loneliness and wanting in Kurt Cobain’s voice, but also a joy that survives within it. She thinks about the girl who took the trouble to leave a message for her. That recollection does not erase her distress; it helps her take the first step toward care and a life that can continue.
Two years after that night, Irene leaves her job at the immigration agency. She had dreamed of becoming a flight attendant as a child, and she now makes her living in the air. Her knowledge of loneliness shapes the way she treats passengers: she looks out for people flying home alone for funerals, offers comfort to travelers afraid of heights or enclosed spaces, and thinks of herself as a guardian angel with metallic wings. The work gives her repeated opportunities to notice distress in others, the very kind of attention whose absence had once left her feeling alone. Her memory of Natasha’s message is not simply a story she keeps; it informs the care she offers strangers.
In the same decade, Natasha’s life is redirected by deportation. She enrolls in school in Kingston, where her class is called Sixth Form rather than senior year, and studies for the Caribbean Advanced Proficiency Exams and A-level examinations required for university. Because money is scarce, she waitresses to help support her family. She initially fakes a Jamaican accent until it becomes real, finds a family among her friends, and gradually learns to like and then love the country where she was born. That growing attachment does not mean she wanted to leave Daniel Jae Ho Bae behind. Natasha lets him go because she cannot live in two worlds at once, with her body in Jamaica and her heart elsewhere. Daniel holds on as long as he can, but hears her changing accent as a sign of the distance between their lives. The decade that separates Natasha and Irene is thus also a period in which Natasha’s home, voice, and sense of belonging change.
Recognition on the Plane
Ten years after the message, Irene is working a flight and making her final checks before takeoff. A young man in seat 7A writes in a small black notebook; in seat 8C, a young Black woman wears earbuds and has a large curly Afro dyed pink at the ends. Irene freezes when she sees her. She recognizes Natasha’s face and remembers the girl she has wanted to thank for a decade, though Natasha is now a woman and Irene initially struggles to believe they can be the same person.
The captain’s announcement forces Irene to take her jump seat before she can approach. Once the plane reaches cruising altitude, she goes to Natasha, kneels beside her, and begins cautiously. She tells Natasha about the day in New York, recalling the gray bin and the Nirvana phone case, and says that Natasha saved her life. Natasha responds with confusion: she has a Caribbean accent and does not immediately understand what Irene means. Irene explains that Natasha left a message thanking her, while acknowledging that she never knew what the thanks had been for. The original uncertainty remains intact; what changes is that Irene can now tell Natasha the consequence of a message whose purpose had never been clear to her.
Irene asks whether Natasha remembers her. The question exposes how much the encounter matters to Irene: as she waits for an answer, she feels herself return to the loneliness and fear from which the message once helped her turn away. Natasha does remember. She gives Irene her name and confirms that she remembers her. The exchange completes the recognition that the voicemail began but could not provide: Irene’s account has reached the person who sent the message, and Natasha now knows that the brief act became part of another person’s survival.
Meaning of the Connection
The two women’s bond is built from an asymmetry that the reunion finally makes visible. Natasha’s message is small in her own account of events, and she does not know that Irene has been planning suicide. Irene, by contrast, has carried the moment for ten years, first as the intervention that helped her reach a hotline, then as the beginning of treatment and a different life. Neither woman needs to have understood the other’s full circumstances for the contact to matter. The novel makes the significance of the message emerge through its consequences rather than through a prior explanation of Natasha’s motive.
Their reunion also turns remembrance into something reciprocal. Irene has remembered the girl who reached out, while Natasha can now remember Irene when Irene is standing before her. Nearby, the young man in 7A looks over the seat and says Natasha’s name, his face open with love. The scene links Irene’s recovered connection to Natasha with Natasha’s reunion with Daniel Jae Ho Bae, but does not collapse the relationships into one: Irene’s gratitude concerns a message and a life saved, while Daniel’s recognition carries the history of their separation. The brief exchange between the women nonetheless gives the reunion its own emotional resolution. A message once received at the edge of Irene’s life returns, ten years later, as a face, a name, and an answer.